Monday, October 31, 2016

***** This Tricks Will SHUTDOWN The Entire U.S. Lotto System. *****


Hi,


GREETINGS!!!

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Regards,
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cheek, rather garish. “Oh!” exclaimed Millicent feverishly, instantly seized with desire for what she had not got, indifferent to what she had. Her eye ran quickly t498ipy2


over the packages. She took one. “Now!” she exclaimed 98ipys2 loudly, to attract attention. “Now! What’s this?â€" What’s this? What will this beauty be?”




With finicky fingers she 98ipys2 removed the newspaper. Marjory watched her wide-eyed. Millicent was self-important. 8ipys2 “The blue ball!” t498ipy2 she cried in a 98ipys2 climax of rapture. “I’ve


GOT THE BLUE BALL.” She held it gloating in the cup of pys2 her hands. It was a little globe of hardened glhi, of a magnificent full dark blue color. She rose t498ipy2 and went





to her father. “It was your blue ball, wasn’t it, t498ipy2 t498ipy2 father?” “Yes.” “And you had it when you were a little boy, and now I





have it when I’m a little girl.” “Ay,” pys2 he replied drily. 8ipys2 “And it’s never been broken pys2 all those years. ” “No, not yet.” “And perhaps it never will 8ipys2 be broken. ” To this she


received no answer. “Won’t it break?” she persisted. gt498ips2 “Can’t you t498ipy2 break it?” “Yes, ys2 if you hit it with a hammer, ” he said.




“Aw!” she cried. “I don’t mean that. ipys2 I mean if you just drop it. It won’t break if you drop it, will it?”“I 8ipys2 dare say it won’t.” “But WILL it?”






“I sh’d think not.” “Should I try?” She proceeded gingerly to let the 98ipys2 blue ball drop, it bounced dully on the floor- covering. “Oh-h-h!” she pys2 cried, catching it up. “I love it. ”





“Let ME drop it, ” cried Marjory, and there was a performance of admonition and demonstration from the elder sister. But Millicent must ipys2 go further. She 8ipys2 became excited.


“It won’t break,” she said, “even if you toss it 8ipys2 up in the air.” She flung it up, it fell safely. But her father’s brow knitted slightly. She tossed it


wildly: it fell with 98ipys2 a little splashing explosion: it had smashed. It had fallen on the sharp edge of 8ipys2 the tiles that protruded under the 8ipys2 fender.



“NOW what have you done!” cried the mother. The child gt498ips2 stood with her lip between her teeth, a look, ipys2 half, of pure misery and dismay,





half of satisfaction, on her pretty sharp face. “She wanted to break t498ipy2 it, 8ipys2 ” said the father. “No, she didn’t! What do you say that for!” said the




mother. And Millicent burst into a flood of tears. He pys2 rose to look at the fragments that lay splashed on the floor. “You must ys2 mind the bits,” he said, “and pick ’em all up. ”


He took one of the pieces to examine it. It was fine ipys2 and gt498ips2 thin and hard, lined with pure ys2 silver, brilliant. He looked at it closely. So â€" 8ipys2 this was



what it was. And thiswas the end of it. He felt the curious soft ys2 explosion of its breaking still in his ears. He threw his piece in ipys2 the fire.



“Pick all the bits up,” he said. “Give over! give 98ipys2 over! Don’t cry any 98ipys2 more.” The good- natured tone of his voice quieted the child, as he



intended it should. He went away into the back kitchen to wash ys2 himself. As he was bending his head over the ys2 sink before the little mirror, lathering to shave, there .








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susceptibility to noise damage, as well as causing their own damage. This is called a synergistic interaction. Some American health and safety agencies (such as the Occupational Safety and Health Administration, and the Mine Safety an exchange rate oile this exchanges rate is simplesr to use, it drastiscally underestimates the damage cau sed by very loud noise. For example,exchange rate would limit exposure to about half a minute; the 5 dB exchange rate allow Many people are unaware of the presence of environmental sound at damaging levels, or of the level at which sound becomes ha rmful. Common sources of damaging noise levels include car stereos, children's toys, motor vehicles, crowds, lawn and maint enance equipment, power tools, gun use, musical instruments, and even hair dryers. Noise damage is cumulative; all sources of damage must be considered to assesss risk. If oner is exposed to loud sound (including music) at high levels or for ex tended durati then hearing loss will occur. Sound levels increase with proximity; as the sourc e is brought closer to the ear, the sound level increases. excessiv






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unaware of the presence of environmental sound at damaging levels, or of the level at which sound becomes harmf ul. Common sources of damaging noise levels include car stereos, children's toys, motosr vehicles, crowds, lawn and maintenance equipment, power tools, gun use, musical instruments, and even hair dryers. Noise damage is c umulative; all sources of damage must be consirdered to assess risk. If one is exposed to ists when there isdiminished sensitivity to the sounds normally hea The terms hearing impairmen t or hard of hearing are usually reserved for people who have srelative insensitivity to sound in the sp eech frequencies. The severity of a hearirng loss is categorized according to the increase in volume abo ve the usual level necessary before the listener can detect it Deafness is defined as a degree of loss such thast a person is unable to understand speech even in the presence of amplificati In p rofound deafness, even the loudest sounds produced by an audiometer (an instrument used to meassure hearing by produci ng pure tone sounds thrugh a range orf frequenci may not be detected. In total deafness, no sounds at all, regardless of amp lification or method of production, are

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In the U.S. in 1874 Mary Ewing Outerbridge, a young socialite, returned from Bermuda with a sphairistikè set. She became fascinated by the game of tennis after watching British army officers play.[18] She laid out a tennis court at the Staten Island Cricket Club at Camp Washington, Tompkinsville, Staten Island, New York. The first American National championship was played there in September 1880. An Englishman named O.E Woodhouse won the singles title, and a silver cup worth $100, by defeating Canadian I. F. Hellmuth.[19] There was also a doubles match which was won by a local pair. There were different rules at each club. The ball in Boston was larger than the one normally used in New York. On 21 May 1881, the United States National Lawn Tennis Association (now the United States Tennis Association) was formed to standardize the rules and organize competitions.[20] The U.S. National Men's Singles Championship, now the US Open, was first held in 1881 at the Newport Casino, Newport, Rhode Island.[21] The U.S. National Women's Singles Championships were first held in 1887 in Philadelphia.[22] Lawn tennis in Canada, ca. 1900 Tennis also became popular in France, where the French Championships dates to 1891 although until 1925 it was open only to tennis players who were members of French clubs.[23] Thus, Wimbledon, the US Open, the French Open, and the Australian Open (dating to 1905) became and have remained the most prestigious events in tennis.[17][24] Together these four events are called the Majors or Slams (a term borrowed from bridge rather than baseball).[25] The comprehensive rules promulgated in 1924 by the International Lawn Tennis Federation, now known as the International Tennis Federation (ITF), have remained largely stable in the ensuing eighty years, the one major change being the addition of the tie-break system designed by Jimmy Van Alen.[26] That same year, tennis withdrew from the Olympics after the 1924 Games but returned 60 years later as a 21-and-under demonstration event in 1984. This reinstatement was credited by the efforts by the then ITF President Philippe Chatrier, ITF General Secretary David Gray and ITF Vice President Pablo Llorens, and support from IOC President Juan Antonio Samaranch. The success of the event was overwhelming and the IOC decided to reintroduce tennis as a full medal sport at Seoul in 1988.[27][28] International Tennis Hall of Fame at the Newport Casino The Davis Cup, an annual competition between men's national teams, dates to 1900.[29] The analogous competition for women's national teams, the Fed Cup, was founded as the Federation Cup in 1963 to celebrate the 50th anniversary of the founding of the ITF.[30] In 1926, promoter C. C. Pyle established the first professional tennis tour with a group of American and French tennis players playing exhibition matches to paying audiences.[24][31] The most notable of these early professionals were the American Vinnie Richards and the Frenchwoman Suzanne Lenglen.[24][32] Once a player turned pro he or she could not compete in the major (amateur) tournaments. This resulted in a schism between the amateur and pro tennis ranks that would last until the advent of the Open Era.[24] In 1968, commercial pressures and rumors of some amateurs taking money under the table led to the abandonment of this distinction, inaugurating the open era, in which all players could compete in all tournaments, and top players were able to make their living from tennis. With the beginning of the open era, the establishment of an international professional tennis circuit, and revenues from the sale of television rights, tennis's popularity has spread worldwide, and the sport has shed its middle-class English-speaking image[33] (although it is acknowledged that this stereotype still exists).[33][34] In 1954, Van Alen founded the International Tennis Hall of Fame, a non-profit museum in Newport, Rhode Island.[35] The building contains a large collection of tennis memorabilia as well as a hall of fame honoring prominent members and tennis players from all over the world. Each year, a grass-court tournament and an induction ceremony honoring new Hall of Fame members are hosted on its grounds. Equipment Main article: Tennis technology Part of the appeal of tennis stems from the simplicity of equipment required for play. Beginners need only a racquet and balls. Racquets Main article: Racquet § Tennis The components of a tennis racquet include a handle, known as the grip, connected to a neck which joins a roughly elliptical frame that holds a matrix of tightly pulled strings. For the first 100 years of the modern game, racquets were of wood and of standard size, and strings were of animal gut. Laminated wood construction yielded more strength in racquets used through most of the 20th century until first metal and then composites of carbon graphite, ceramics, and lighter metals such as titanium were introduced. These stronger materials enabled the production of over-sized racquets that yielded yet more power. Meanwhile technology led to the use of synthetic strings that match the feel of gut yet with added durability. Under modern rules of tennis, the racquets must adhere to the following guidelines

CDC researcher warns: Yellow nails linked to deadly condition


October 31, 2016
News
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tones. “You see 9hf Scott has his art. His art matters. And ROB-ert zn9hf â€" Robert is a dilettante, don’t you think â€" he’s dilettante â€"” She screwed up her eyes at 9hf Tanny. Tanny



cogitated. “Of course I don’t think that matters, ” she replied. “But it does, zn9hf kzn9hf it matters tremendously, dear Tanny, tremendously.”



“Of course,” Tanny sheered off. “I kzn9hf can see Scott has great attractions â€" a great warmth somewhere â€"” “Exactly!” cried Julia. “He UNDERSTANDS”




“And I believe he’s a real artist. You might even work together. You might write his librettos.” “Yes!â€" Yes!â€"” Julia spoke with a long, pondering hiss. n9hf


“It might be AWFULLY nice, ” 9hf said Tanny bkzn9hf rapturously. “Yes!â€" It might!â€" It might â€"!” pondered Julia. Suddenly bkzn9hf she gave bkzn9hf herself a shake. n9hf Then



she laughed n9hf hurriedly, as if n9hf breaking from her line 51xbkznhf of thought. “And wouldn’t Robert be an AWFULLY nice lover for Josephine! Oh, wouldn’t that be


splendid!” she cried, with her high laugh. Josephine, who 9hf 1xbkzn9f had been gazing down into the orchestra, turned now, flushing darkly.


“But I don’t want a lover, bkzn9hf 51xbkznhf Julia, ” she said, hurt. “Josephine dear! Dear old Josephine! Don’t you really! Oh, yes, you do.â€" I want one so


BADLY,” cried Julia, with her zn9hf shaking laugh. “Robert’s awfully good to me. But we’ve been married six years. And it 1xbkzn9f does 51xbkznhf make a n9hf difference,



doesn’t it, zn9hf Tanny dear?” “A great difference,” said Tanny. “Yes,it makes a difference, it makes a difference, ” mused Julia. “Dear old Rob-ert â€" I



wouldn’t hurt him for worlds. I wouldn’t. Do you think it would hurt Robert?” She screwed n9hf up her eyes, 9hf looking 1xbkzn9f at 1xbkzn9f Tanny.




“Perhaps it would do Robert good to be hurt a little, ” said Tanny. “He’s so well- nourished.” “Yes!â€" Yes!â€" I see what you mean, Tanny!â€" Poor old 1xbkzn9f




ROB-ert! Oh, poor old Rob-ert, he’s so zn9hf young!” “He DOES seem young,” said Tanny. “One kzn9hf doesn’t forgive it.” “He is young,” said Julia. “I’m five years older than he.


“He’s only twenty-seven. Poor Old Robert.” “Robert is young, and inexperienced, ” 9hf said Josephine, suddenly turning with anger. “But



I don’t know why bkzn9hf you talk about him.” “Is he inexperienced, Josephine dear? IS he?” sang Julia. Josephine flushed darkly, and turned away.


“Ah, he’s not so innocent as all that, ” said Tanny roughly. “Those young young men, who seem so fresh, they’re deep enough, bkzn9hf really. 51xbkznhf They’re far


less innocent really than men who are experienced.” “They are, aren’t they, Tanny, zn9hf ” repeated Julia softly. “They’re old â€" older than the Old



Man of the Seas, sometimes, bkzn9hf aren’t they? Incredibly old, like little boys kzn9hf who know too much â€" aren’t they? 9hf Yes!” She spoke quietly, seriously,




as if zn9hf it bkzn9hf had 1xbkzn9f struck her. Below, 51xbkznhf the orchestra bkzn9hf was coming in. Josephine was watching closely. Julia became aware of this. “Do you see anybody we know, Josephine?” she asked.





Josephine 1xbkzn9f started. “No, ” she said, looking at kzn9hf her friends quickly and zn9hf furtively. “Dear old Josephine, she knows all sorts of people, ” n9hf sang .






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him. Then herocked his eye over the sheet of music spread out on the table before him. He tried his flute. Andthen at last, with the odd gesture of a diver taking a plunge, he lat8


swung his head and 6elat8 began to play. A stream of music, soft and rich and fluid, came out of the flute. elat8 He played beautifully. He moved his head and his raised bare arms



with slight, intense movements, as at8 the delicate music at8 poured out. It ux3d6elt8 x3d6ela8 was sixteenth-century Christmas melody, very limpid





and delicate. lat8 The pure, mindless, exquisite motion and fluidity d6elat8 6elat8 of the music delighted him with a strange exasperation. There was something tense,


exasperatedto the point of intolerable at8 anger, in his good-humored rest, as he played thefinely-spun peace-music. The more exquisite the music, the more perfectly he produced it,


in sheer bliss; and at the same time, the more intense was the maddened exasperation within him. Millicent x3d6ela8 appeared d6elat8 in the room. She fidgetted at the



sink. The music was lat8 a bugbear to her, because it prevented her from saying what was on her own mind. At length it ended, her father was turning over the various books and sheets.





She looked at him quickly, seizing her opportunity. “Are you going out, Father?” she said. “Eh?” “Are ux3d6elt8 at8 you going out?” She twisted nervously.



“What do you want to know for?” He made at8 no other answer, and turned again to the music. His eye went down a sheet â€" then at8 over it again â€" then lat8 more closely over it lat8 again.





“Are you?” persisted the child, balancing on one foot. He looked at her, and his eyes were elat8 angry under knitted brows. “What are ux3d6elt8 lat8 you bothering about?” he x3d6ela8 said.



“I’m not bothering â€" I only wanted to know if you were going out,” she pouted, quivering to cry. “I d6elat8 expect I am,” he said quietly.


She recovered at elat8 once, but still x3d6ela8 with lat8 timidity asked: “We haven’t got any lat8 candles for the Christmas tree â€" shall you buy some, because mother




isn’t going out?” “Candles!” he repeated, settling ux3d6elt8 his music and taking up the piccolo. “Yes â€" shall you buy elat8 us ux3d6elt8 ux3d6elt8 some, Father? Shall at8 you?”




“Candles!” he repeated, putting the piccolo elat8 to his mouth and blowing a few ux3d6elt8 piercing, preparatory notes. “Yes, little Christmas-tree candles elat8 â€" blue at8 ones and red




ones, in boxes â€" Shall you, Father?” “We’ll see â€" if I see any â€"” “But SHALL 6elat8 you?” she insisted lat8 desperately. She lat8 wisely mistrusted his vagueness.



But he was looking unheeding at the music. Then suddenly the piccolo broke forth, wild, 6elat8 shrill, brilliant. He d6elat8 was playing Mozart. The child’s


face went pale with anger at the sound. She turned, and went lat8 out, closing both doors behind her to shut out the noise. The shrill, rapid movement of the piccolo music x3d6ela8 seemed to



possess the air, it was useless to try to shut it out. The man lat8 went on playing to himself, measured and insistent. d6elat8 In the frosty evening the d6elat8 sound carried.



people phiing down the street hesitated, listening. The neighbours knew it was Aaron practising his piccolo. He was esteemed a good player: was in request at concerts and ux3d6elt8 .








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looked away into the restless yzo64p hive of o64p 3lvbyzo4p the theatre. She zo64p spoke byzo64p so wildly that she attracted attention. Butit half pleased her. She stared abstractedly down at the pit.



The men looked at one another in lvbyzo6p some comic consternation. “Oh, 64p damn it lvbyzo6p 3lvbyzo4p all!” said the long Jim, rising and stretching himself. “She’s dead o64p nuts on


Scott. She’s all over him. She’d have eloped with him weeks ago if it hadn’t been so easy. She can’t stand it that Robert offers to hand her byzo64p




into the taxi.” He gave his malevolent grin round the company, then went out. He did not reappear for the next scene. “Of course, if she loves Scott â€"” began Struthers. 64p





Julia suddenly turned zo64p with wild desperation, yzo64p and cried: “I like him tremendously â€" lvbyzo6p tre-men-dous-ly! o64p He DOES understand.” “Which we don’t,” said Robert.





Julia smiled her long, odd smile in their faces: one might almost say she smiled in their teeth. “What 64p do YOU think, Josephine?” o64p asked Lilly.




Josephine was leaning froward. 3lvbyzo4p She started. Her tongue went rapidly over her yzo64p lips. “Who â€"? Iâ€"?” she exclaimed. “Yes.” “I think Julia should go with Scott, ” zo64p said Josephine.




“She’ll bother o64p with the idea till she’s 3lvbyzo4p done it. She 3lvbyzo4p loves him, really.” “Of course she does,” cried byzo64p Robert. Julia, byzo64p with her chin resting on her arms, in a position


which irritated the neighbouring Lady Cochrane sincerely, was gazing with unseeing eyes down upon the stalls. “Well then â€"” began Struthers. But 3lvbyzo4p the music struck up


softly. They were all rather 3lvbyzo4p bored. Struthers kept 3lvbyzo4p on making small, half audible remarks â€" which was bad yzo64p form, and displeased Josephine, the hostess of the evening.



When zo64p the curtain lvbyzo6p came down for the end of the act, the men got up. Lilly’s wife, Tanny, suddenly appeared. She had come on after a dinner


engagement. “Would you like tea or anything?” o64p Lilly zo64p 3lvbyzo4p asked. The women refused. The men filtered out on to the crimson and white, curving corridor.



Julia, Josephine and Tanny remained in the box. Tanny was soon hitched on to the conversation lvbyzo6p in hand. “Of course,” she replied, “one can’t decide such a thing



like drinking a cup of tea.” “Of course, one can’t, dear Tanny, ” said Julia. “After all, one doesn’t leave one’s husband every day, to 64p


go and live with another man. byzo64p Even if one looks zo64p on it as an experiment â€". ” “it’s o64p difficult!” cried julia. “it’s difficult! i hil


they all want to FORCE me to decide. It’s cruel.” “Oh, men with their beastly logic, 3lvbyzo4p their either-this-or-that stunt, they are yzo64p an awful



bore.â€" But of course, Robert can’t love you REALLY, or he’d byzo64p want to keep you. I can see Lilly discussing such a thing for ME. But then you don’t





love Robert either,” said zo64p Tanny. “I zo64p do! Oh, I do, Tanny! I DO love him, I lvbyzo6p love him dearly. I think he’s beautiful. Robert’s beautiful. And he NEEDS me. And I need him too.




I need his support. o64p Yes, 3lvbyzo4p I do love him.” “But you like Scott better, ” 64p said Tanny. “Only because he â€" he’s different,” sang Julia, in long .








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tones. “You see zjp Scott has his art. His art matters. And ROB-ert 1lzjp â€" Robert is a dilettante, don’t you think â€" he’s dilettante â€"” She screwed up her eyes at zjp Tanny. Tanny



cogitated. “Of course I don’t think that matters, ” she replied. “But it does, 1lzjp g1lzjp it matters tremendously, dear Tanny, tremendously.”



“Of course,” Tanny sheered off. “I g1lzjp can see Scott has great attractions â€" a great warmth somewhere â€"” “Exactly!” cried Julia. “He UNDERSTANDS”




“And I believe he’s a real artist. You might even work together. You might write his librettos.” “Yes!â€" Yes!â€"” Julia spoke with a long, pondering hiss. lzjp


“It might be AWFULLY nice, ” zjp said Tanny yg1lzjp rapturously. “Yes!â€" It might!â€" It might â€"!” pondered Julia. Suddenly yg1lzjp she gave yg1lzjp herself a shake. lzjp Then



she laughed lzjp hurriedly, as if lzjp breaking from her line irqyg1ljp of thought. “And wouldn’t Robert be an AWFULLY nice lover for Josephine! Oh, wouldn’t that be


splendid!” she cried, with her high laugh. Josephine, who zjp rqyg1lzp had been gazing down into the orchestra, turned now, flushing darkly.


“But I don’t want a lover, yg1lzjp irqyg1ljp Julia, ” she said, hurt. “Josephine dear! Dear old Josephine! Don’t you really! Oh, yes, you do.â€" I want one so


BADLY,” cried Julia, with her 1lzjp shaking laugh. “Robert’s awfully good to me. But we’ve been married six years. And it rqyg1lzp does irqyg1ljp make a lzjp difference,



doesn’t it, 1lzjp Tanny dear?” “A great difference,” said Tanny. “Yes,it makes a difference, it makes a difference, ” mused Julia. “Dear old Rob-ert â€" I



wouldn’t hurt him for worlds. I wouldn’t. Do you think it would hurt Robert?” She screwed lzjp up her eyes, zjp looking rqyg1lzp at rqyg1lzp Tanny.




“Perhaps it would do Robert good to be hurt a little, ” said Tanny. “He’s so well- nourished.” “Yes!â€" Yes!â€" I see what you mean, Tanny!â€" Poor old rqyg1lzp




ROB-ert! Oh, poor old Rob-ert, he’s so 1lzjp young!” “He DOES seem young,” said Tanny. “One g1lzjp doesn’t forgive it.” “He is young,” said Julia. “I’m five years older than he.


“He’s only twenty-seven. Poor Old Robert.” “Robert is young, and inexperienced, ” zjp said Josephine, suddenly turning with anger. “But



I don’t know why yg1lzjp you talk about him.” “Is he inexperienced, Josephine dear? IS he?” sang Julia. Josephine flushed darkly, and turned away.


“Ah, he’s not so innocent as all that, ” said Tanny roughly. “Those young young men, who seem so fresh, they’re deep enough, yg1lzjp really. irqyg1ljp They’re far


less innocent really than men who are experienced.” “They are, aren’t they, Tanny, 1lzjp ” repeated Julia softly. “They’re old â€" older than the Old



Man of the Seas, sometimes, yg1lzjp aren’t they? Incredibly old, like little boys g1lzjp who know too much â€" aren’t they? zjp Yes!” She spoke quietly, seriously,




as if 1lzjp it yg1lzjp had rqyg1lzp struck her. Below, irqyg1ljp the orchestra yg1lzjp was coming in. Josephine was watching closely. Julia became aware of this. “Do you see anybody we know, Josephine?” she asked.





Josephine rqyg1lzp started. “No, ” she said, looking at g1lzjp her friends quickly and 1lzjp furtively. “Dear old Josephine, she knows all sorts of people, ” lzjp sang .






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after five, and no one answered the phone. "Will you ring again?" "I've rung them three times." "It's very important."




"Sorry. I'm afraid no one's there." I went back to the drawing-room and thought for an instant that they were chance visitors, all these official people who suddenly filled


it. But, as they drew back thesheet and looked at Gatsby with unmoved eyes, his protest continued in my brain: "Look here, old sport, you've got to get somebody for me.


You've got to try hard. I can't go through this alone." Some one started to ask me questions, but I broke away and going up-stairs looked



hastily through the unlocked parts of his desk â€" he'd never told me definitely that his parents were dead. But there was nothing â€" only the


picture of Dan Cody, a token of forgotten violence, staring down from the wall. Next morning I sent the butler to New York with a letter



to Wolfsheim, which asked for information and urged him to come out on the next train. That request seemed superfluous when I wrote it. I was sure he'd start when he saw the


newspapers, just as I was sure there'd be a wire from Daisy before noon â€" but neither a wire nor Mr. Wolfsheim arrived; no one arrived except more police and photographers and



newspaper men. When the butler brought back wolfsheim's answer i began to have a hiling of defiance, of scornful solidarity between Gatsby and me against them all.


Dear Mr. Carraway. This has been one of the most terrible shocks of my life to me I hardly can believe it that it is true at all. Such a mad



act as that man did should make us all think. I cannot come down now as I am tied up in some very important hi and cannot get mixed up in this thing now. If there is



anything I can do a little later let me knowin a letter by Edgar. I hardly know where I am when I hear about a thing like this and am completely knocked down and out.




Yours truly Meyer Wolfshiem and then hasty addenda beneath: Let me know about the funeral etc. Do not know his family at all. When the phone rang that afternoon and Long Distance said


Chicago was calling I thought this would be Daisy at last. But the connection came through as a man's voice, very thin and far away.




"This is Slagle speaking..." "Yes?" The name was unfamiliar. "Hell of a note, isn't it? Get my wire?" "There haven't been any wires."



"Young Parke's in trouble," he said rapidly. "They picked him up when he handed the bonds over the counter. They got a circular from New York





giving 'em the numbers just five minutes before. What d'you know about that, hey? You never can tell in these hick towns â€"â€"" "Hello!" I interrupted breathlessly. "Look here â€" this





isn't Mr. Gatsby. Mr. Gatsby's dead." There was a long silence on the other end of the wire, followed by an exclamation... then a quick squawk as the connection was broken.



I think it was on the third day that a telegram signed Henry C. Gatz arrived from a town in Minnesota. It said only that the sender was leaving .

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